Monthly Archive for February, 2007

Transfer from iPod to iTunes

Posted February 27, 2007 0 Comments

i.e. how to hack the iPod- there’s a great Mac app I’ve been using for a month or so to save my music collection (my backup is in Aberdeenshire while i’m down south) and I have a new iPod. the app is called ‘Music Rescue’, and it does exactly what it says on the tin: “Recovers” (Copies) your iPod’s contents to your iTunes library. It does this for free… nearly - if you don’t pay up a tenner you get a reminder every few minutes. Well worth downloading.

Music Rescue is on just that level of simplicity which will save your arse in a hurry and do just fine for more advanced ‘recoveries’ - the naming system is very CDex, circa ‘99. I love it.

Newsbanger

Posted February 26, 2007 0 Comments

On The Hour

Good ‘effin choice. Although I just listened to a 10 minute praise of Rory Bremner on Radio 4 which included a dismissal of Morris’ work as “a good wind-up”, ‘nothing like Rory Bremner’.

This “Radio Ha Ha” programme should be good fun, always good to hear Iannucci on the radio, talking of which: The Armando Iannucci Shows, via FistofFun.net (pretty good Lee & Hering depository). Only heard episode one- its got more constructive satirical bite than Rory Bremner’s entire over-hyped career.

“…a song about three people”

Posted February 15, 2007 0 Comments

I believe that you heard your master sing

when I was sick in bed.

I suppose that he told you everything

that I keep locked away in my head.

Your master took you travelling,

well at least that’s what you said.

And now do you come back to bring

your prisoner wine and bread?

You met him at some temple, where

they take your clothes at the door.

He was just a numberless man in a chair

who’d just come back from the war.

And you wrap up his tired face in your hair

and he hands you the apple core.

Then he touches your lips now so suddenly bare

of all the kisses we put on some time before.

And he gave you a German Shepherd to walk

with a collar of leather and nails,

and he never once made you explain or talk

about all of the little details,

such as who had a worm and who had a rock,

and who had you through the mails.

Now your love is a secret all over the block,

and it never stops not even when your master fails.

And he took you up in his aeroplane,

which he flew without any hands,

and you cruised above the ribbons of rain

that drove the crowd from the stands.

Then he killed the lights in a lonely Lane

and, an ape with angel glands,

erased the final wisps of pain

with the music of rubber bands.

And now I hear your master sing,

you kneel for him to come.

His body is a golden string

that your body is hanging from.

His body is a golden string,

my body has grow’en numb.

Oh now you hear your master sing,

your shirt is all undone.

And will you kneel beside this bed

that we polished so long ago,

before your master chose instead

to make my bed of snow?

Your eyes are wild and your knuckles are red

and you’re speaking far too low.

No I can’t make out what your master said

before he made you go.

Then I think you’re playing far too rough

for a lady who’s been to the moon;

I’ve lain by this window long enough

you get used to an empty room.

And your love is some dust in an old man’s cuff

who is tapping his foot to a tune,

and your thighs are a ruin, you want too much,

let’s say you came back some time too soon.

I loved your master perfectly

I taught him all that he knew.

He was starving in some deep mystery

like a man who is sure what is true.

And I sent you to him with my guarantee

I could teach him something new,

and I taught him how you would long for me

no matter what he said no matter what you’d do.

I believe that you heard your master sing

while I was sick in bed,

I’m sure that he told you everything

I must keep locked away in my head.

Your master took you travelling,

well at least that’s what you said,

And now do you come back to bring

your prisoner wine and bread?

-”Master Song” from Songs of Leonard Cohen

Music Industry to Blame

Posted February 6, 2007 0 Comments

Steve Jobs (co-founder, c.e.o and all-round main-man at Apple Inc.) just posted a very telling article regarding digital rights management (or D.R.M. - the funny business that goes on between the iTunes Store and your non Apple devices; the reason you can’t buy on ‘iTS’ and play on a Creative Zen etc.). The article is an odd one, firstly Steve Jobs doesn’t often write publicly these days, I’ve not read an interview with him for a long-while (not Product/Sales related). Secondly - when it comes to bitching, in the past, its only when talking about lame ass hacks (Vista… is it for real?) that Jobs becomes infuriated in a such a constructive way; to Vista- Apple offer a few words of disdain but at their core they know they have a better product and are truly consumer-friendly: IT IS MICROSOFT WHO REQUIRE (on your installation of a new OS): A PRODUCT KEY, AN ACTIVATION CODE - AND PHONE-HOME SOFTWARE TO TELL M$ WHETHER YOU’RE LEGAL :D. Apple know you might want to copy that install DVD, maybe you do want to backup your whole computer onto a hard-disk for easy recovery; they trust their customers. That’s why I always Knew iTunes Store D.R.M was never their suggestion. It was nothing to do with selling more iPods… I’m rambling. I’m drunk. Over to Steve:

He asks the music industry to get with the programme and stop forcing apple to use this unpopular and harmful music protection. Back in the day, Steve Jobs made the point to the record industry that if iTMS was ever going to work 99 American cents was the max people would pay for downloadable tracks. for sure- the whole enterprise wouldn’t work nor compete against napster and other illegal sites (back then :D). he was right, and Apple faught the music industry when they asked for a larger cut. now that Steve Jobs has their attention he pleads:

This is the current state of affairs in the industry, and customers are being well served with a continuing stream of innovative products and a wide variety of choices…

The second alternative is for Apple to license its FairPlay DRM technology to current and future competitors… [this] involves disclosing some of [DRM's] secrets to many people in many companies, and history tells us that inevitably these secrets will leak. [READ: THE TIME BILL GATES STOLE MACINTOSH OS]… Such leaks can rapidly result in software programs available as free downloads on the Internet which will disable the DRM protection so that formerly protected songs can be played on unauthorized players.

Hmm, where’s he going (throughout the article Jobs’ lists the alternatives):

The third alternative is to abolish DRMs entirely. Imagine a world where every online store sells DRM-free music encoded in open licensable formats. In such a world, any player can play music purchased from any store, and any store can sell music which is playable on all players. This is clearly the best alternative for consumers, and Apple would embrace it in a heartbeat. If the big four music companies would license Apple their music without the requirement that it be protected with a DRM, we would switch to selling only DRM-free music on our iTunes store. Every iPod ever made will play this DRM-free music.

Why would the big four music companies agree to let Apple and others distribute their music without using DRM systems to protect it? The simplest answer is because DRMs haven’t worked, and may never work…

BANG!

…music companies are selling over 90 percent of their music DRM-free [on C.D.'s which cannot use DRM], what benefits do they get from selling the remaining small percentage of their music encumbered with a DRM system? There appear to be none. If anything, the technical expertise and overhead required to create, operate and update a DRM system has limited the number of participants selling DRM protected music. If such requirements were removed, the music industry might experience an influx of new companies willing to invest in innovative new stores and players. This can only be seen as a positive by the music companies.

But who give’s a hoot about the Music Industry. If people want to listen to music, let them. If your iPod breaks, you shouldn’t ever have to worry about your music being unlistenable because you don’t have Sony’s permission. Those bastards. Apple agree- and I see two endings: Apple the Music Label or Sony et. al. getting with it; dropping the clause in their agreement with the iTunes Store that ‘their’ *COUGH SPLUTTER* music be DRM-ed and Secure - all tha bull. Bets on. [I'm betting on Apple Music Corp. the Second!]